We pass over them every day without paying attention, yet manhole covers are an essential part of our city. “Rilievi Urbani, Storie di Tombini” stems from the idea of giving new attention to these often neglected objects, transforming them into the protagonists of a visual and design story. The project explores manhole covers in a […]
Archives: Projects
Projects
Università Iuav di Venezia – L’Intelligenza Artificiale riscriverà il modo di archiviare? Ricerca qualitativa nel rapporto tra La Biennale di Venezia e l’AI dal 2015 al 2024
Our editorial project explores the relationship between the Venice Art Biennale and Artificial Intelligence, focusing on the period 2015-2024. Through qualitative research, we analysed works involving algorithms, technological themes and innovative processes. In parallel, we experimented with advanced tools such as ChatGPT to organise and categorise data, investigating the potential of generative models and digital […]
IUAV – Monte delle Mighe
Monte delle Mighe is an extra virgin olive oil produced on the hills of Romagna. The farm, located in the municipality of Brisighella, has been preserving the historic tradition of olive cultivation for decades, using cold harvesting and milling techniques. The result is a product that represents the excellence of the Romagna olive oil tradition. […]
IUAV – Agerinos Oinos
Agerinos Oinos is a local red wine produced on the island of Corfu, Greece, that encapsulates the authentic essence of this extraordinary land. Made exclusively from indigenous grapes and cultivated at km 0, this Cabernet is distinguished by its refined, Mediterranean character. The aromatic profile is intense and harmonious, with notes of ripe red fruits […]
IUAV di Venezia – Sottopelle
The topic chosen for the development of the thesis revolves around the issue of violence and abuse towards non-human animals within the fashion industry, presenting existing alternatives to replace leather in the production process of garments or accessories. The project, called Sottopelle, involved the creation of a publishing artefact that aims to experiment with the […]
IUAV – VOGUE. L’evoluzione dell’identità visiva di Vogue nel Novecento
The decision to explore the evolution of ‘Vogue’ covers stems from a deep curiosity for fashion, understood not only as a form of artistic expression, but also as a mirror of cultural and social changes over the decades. The covers of “Vogue” represent a fundamental point of reference in fashion publishing, embodying the trends, ideals […]
Politecnico di Bari – Questioni di genere
Gender-based violence represents one of the most serious and pervasive issues in contemporary society, a deeply rooted phenomenon that perpetuates power imbalances and harmful stereotypes. In response to this challenge, the editorial project *IRA – Incitiamo Reazioni Attive* was created, a series of seven volumes that explore the many facets of gender discrimination and violence. […]
Università Iuav di Venezia – Mythopoiēsis – issue 0
The project Mythopoiēsis explores the phenomenon of the growing integration between artificial intelligence and the internet, interpreted as a potential new entity that embodies characteristics traditionally associated with divinity, such as omniscience, omnipresence, and immortality. Through a process of demystification, the project aims to redefine artificial intelligence, shifting it from the realm of science fiction […]
University of the Arts, London – Verse in Form: Generative Sheet Poetry
“Verse in Form: Generative Sheet Poetry” is a generative design project that transforms the poems of Emily Dickinson into visual compositions. Created using P22 Blox in the letterpress room at London College of Communication, the graphic forms mirror the structure and rhythm of her verses, much like a poetry score. The design was generated based […]
Iuav – Erbario
Erbario, is part of a collection of editorial works that took place within the Communication 1 Magistral course at Iuav in Venice. The Erbario project, analyses the finalisation phase of a university course. Quantitative and qualitative data collected during the course are reported. These data are recounted through the object ‘flower’ as it represents a […]
